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Where It All Begins

Battipaglia · Piana del Sele · Campania

Vines two years in the ground, on land the family has held since 1975.

Five kilometres from the sea, half an hour from the temples of Paestum. The vines will not tell us what they are for another eight years. Everything here is an invitation to come along in the meantime.

The land

Sele plain, five kilometres from the sea.

River alluvium over clay, in a plain that has grown food for as long as anyone has written things down. Flat, fertile, never fashionable for wine — which is why there was land here to plant, and why nobody had already decided what it should taste like.

Soil — deep, cool, slow to give up water. Water — the Sele, and sea air at four every afternoon. Air — salt from the west, cold off the Cilento at night; the gap between them keeps acidity in the fruit. Practice — farmed organically, not certified, and we would rather say so plainly. Hand-worked, deliberately small.

0.8 hectares in two parcels. Aglianico and Fiano, Campania’s own; Syrah, for a climate exactly like this one. Somewhere around 2032 the roots will be deep enough to say what the plain tastes like.

The vineyard seen through the trellis wires
Through the wires, September 2026.

The year

Four jobs. Four tables. Four kinds of light.

Cover crop in flower between the rows

Spring — growth

Bud break: two weeks where the whole plain turns the colour of a green apple and nobody sleeps well.

On the tableCarciofo di Paestum, raw
SoundWind through empty wire
The olive grove in hard summer light

Summer — labour and sun

Work before seven, work after six. The long table goes down the middle of the rows at dusk, because the light lasts until nine.

On the tableZizzona, tomato, salt
SoundCicadas, unbroken
Crates of picked Syrah stacked on a pallet

Autumn — harvest

Picking starts at dawn and lunch starts when it stops. Exactly when to pick is the single most consequential judgement anyone here makes.

On the tableWhatever came out of the fire
SoundCrates, and the crush
The work caravan under the olives, trellis stakes waiting

Winter — rest

Pruning, mending, waiting. Every cut made now is a decision about next year’s crop. The new oil is on the table while it is still cloudy and tastes of grass.

On the tableOlio nuovo, broth
SoundSecateurs. Nothing else.

2026, as it happened

Bare trellis wire and a numbered post in February, mountains behind
14 FebruaryDormant. Bare wire, and nothing to do but wait.
A ladybird resting on a young unfolding vine leaf
19 AprilBud break.
Vine rows in full leaf running away under a blue sky
23 MayCanopy up the wire.
Small hard green clusters newly set among the leaves
6 JuneFruit set.
A close cluster of green berries at pea size
20 JuneBerries at pea size.
A cluster half green and half turned purple
16 JulyVeraison; the same bunch, half green and half not.
A single vine in its guard hung with fruit, the row receding behind
1 AugustOne vine, carrying.
Large clusters colouring from green through gold and pink to purple
3 AugustGreen, gold, pink and purple on the same wire.
Picked Syrah clusters in a crate, September 2026
13 SeptemberPicked. The first fruit off the vines planted in 2024, into crates by hand.

Invitation · September

Harvest — September

A cluster of Syrah held in the hand at picking
The first cluster off, 13 September 2026.

Pick by hand at dawn and sit down to a long lunch under the olives when the picking stops. It is the most honest day in the wine calendar, and the one we open to guests — not as spectators but as pickers, because the work is the point.

The first harvest happened this September: Syrah, off the vines planted in 2024, into crates by hand, by family and by friends who thought they were coming for lunch. Nobody was paid. There was no groundbreaking here either — a caravan, a borrowed truck, and three winters of weekends.

Nothing is bookable yet. Dates for next September open first to the people on the letters list.

The wine is being made

At Firosa

There is still no wine. The grapes went to Gerardina Di Cunzolo’s cantina, Firosa, where our wine is being made — pressed, in tank, and not to be hurried. We will say when it is ready, and not before.

Three people at the steel tanks in the Firosa cantina
At the tanks, Firosa.

Invitation · mid-February

Pruning — mid-February

Every cut made now is a decision about next year’s crop, taken months before there is anything to look at. Cold mornings, secateurs, a hand on the wire checking what came through the winter. The quietest work on the estate, and the one that decides the most.

We open a pruning week in mid-February, the way we opened the harvest: to a few, first.

Three people pruning the rows in white shirts
Pruning, February 2026.

The story

A war, an ocean, and a family that never sold.

Four of the family standing in the vine rows
Four in the rows, September 2026.

1940 · “When will I return home?” Lucio was a young man from Salerno, by the sea. He volunteered, understanding one thing: a man who served might come home with land to pass on. Before he left, he planted. Captured in North Africa and shipped east to Ceylon, he cooked for the men who guarded him and ate the potato skins — both still repeated at this table eighty years later.

1943 · “I’ll be waiting with a red rose.” When Italy changed sides, so did his war; he finished it working for the other side of it, as a great many ordinary Italians did. He already knew the woman he would marry. She had told him there would be a red rose. Of everything in this story, that is the line the family has kept most exactly.

1975 · The trucks bought the land. What he brought back from the war was not a medal. It was a trade. He built a company repairing military vehicles, and in 1975 he bought this ground with money made from the wreckage of that same war. There was one line of olive trees on it. That was all.

The daughters · “What binds us does not break.” Here the houses pass to the men and the land passes to the women. It keeps the ground undivided, in hands unlikely to sell it. It came down to Lucio’s granddaughter, Gerardina Di Cunzolo, who holds it now. Two hundred olive trees went in during the nineties, with broccoli and eggplant between them to pay for it. Through the fallow decades, when the ground made almost nothing, nobody sold.

2021 · “Shall we start a vineyard?” Enrico asked it at a table, half a joke. It took three years to answer: plants bought in 2023, in the ground in 2024. Aglianico and Fiano, native; Syrah, from the northern Rhône. The vines have not yet said what they are.

Today · Two shores, one table. Rosicapezze is worked and decided by people on both sides of an ocean — an arrangement that began with a crossing in 1958 and has never been undone. Everything we build for the distant half of this family comes from that, not from a business plan.

The people, and where they are

Battipaglia — Gerardina Di Cunzolo, holds the land · Enrico Ferrentino, asked the question · Catarina Ferrentino, feeds everyone who works here. Ventura — Charles Bonsignore, closed the distance with a phone call and a red rose · Nate Bonsignore, prunes, trains, keeps the record. Astoria — Larry Bensel, tastes everything first. From afar — Sebastiano and Kay Rizzi.

The neighbours

Within an hour

Lunch on the beach at the Cilento coast
The coast, an hour south.
A narrow village lane in afternoon light
A lane in town.

Battipaglia is not a destination. It is the middle of one.

Paestum, 20 minutes — three Greek temples standing in a field since the sixth century BC, and almost nobody in them on a weekday morning. The mozzarella road, 15 minutes — buffalo dairies along the Sele; an hour old, still warm, eaten standing up. The Amalfi coast, 45 minutes — over the hill and down the other side. The Cilento, an hour south — the wildest coastline in Campania. Nobody goes. Go.

We would rather walk you to the dairy ourselves than book it for you.

What we are building

Not a bottle you buy. A place you are invited into.

The long harvest lunch table under the olives
Harvest lunch, September 2026.

Small groups. Limited seats. Some of it only once a year.

La Vendemmia — pick at dawn, long lunch when it stops. Once a year. La Tavolata — one table down the middle of the rows at dusk; buffalo mozzarella, Paestum vegetables, bread from Battipaglia, music as the light goes. Twice a year. Radici — the blessing of the vines and the first look at what is coming. Not for sale; by invitation.

Nothing is bookable yet. We would rather build it properly than sell seats to something half-made.

The one ask

Letters from the land

Seasonal notes, harvest dates, and first refusal on the small tables we set. A few times a year, when there is something worth saying. It costs nothing, and it is the only way to hear about dates before they are gone.

Join the letters

Photographs from the February 2025 planting by Makoa Freitas.